The constitutes a New York drama so laidback that it required a decade to reach the UK’s cinema screens. Initially unveiled in the US in 2015, it’s a micro-budget first feature from debut filmmaker Charles Poekel, taking place largely on a 24-hour pop-up Christmas tree stall. Poekel’s style remains decidedly authentic-indie and unaffected to get slushy or sentimental about Christmas; through his lens Christmas tree lights blink like police lights. But in its own low-key way, he pitches his film perfectly for a modest dose of festive warmth.
Kentucker Audley portrays Noel (someone had in the film to comment on his name before I twigged). Noel returns for his fifth year selling Christmas trees in Brooklyn, working outdoors in the freezing cold and resting in a not-much-warmer caravan parked next to the trees. A few customers inquire after the girl assisting him last year. But this year Noel works solo, heartbroken and working the night shift.
There’s a documentary feel to many of the scenes, with customers asking pointless random questions. One woman wants the same Christmas tree as the Obamas (the story is set in 2014). Noel looks numb with cold in body and spirit; he’s exhausted and disenchanted, though Audley’s subtle performance makes it clear that he hadn't always been like this.
In truth, not much happens. Noel comes to the aid of a woman, Lydia (Hannah Gross), who has collapsed drunk on a bench. She pops up again later in truly poignant scenes as Noel drives around New York, delivering trees – and these sequences could spark a little flicker of good cheer even in the most cynical viewer. Poekel hasn’t made a feature since this, which is a shame – it is unmatched for authenticity and fluidity, and it’s shot on gorgeously textured 16mm film.
A film of quiet appeal and authentic mood, capturing the solitude and brief warmth of the season.
Christmas, Again opens in UK cinemas from 12 December.
A passionate gamer and tech reviewer with over a decade of experience in the gaming industry, specializing in controller ergonomics and performance.
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Tina Jackson
Tina Jackson
Tina Jackson
Tina Jackson